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Bowie XR Documentary Debuts at Venice Immersive

A new 3D extended reality documentary about David Bowie, featuring hundreds of unseen images, premieres at the Venice Immersive festival.

A new 3D extended reality documentary about David Bowie, featuring hundreds of unseen images, premieres at the Venice...

A new extended reality documentary about David Bowie is premiering at the Venice Film Festival's immersive section. David Bowie: Unseen Unheard is a 3D documentary featuring hundreds of previously unseen images of the singer.

The project is one of 69 XR, or extended reality, pieces playing at the 10th anniversary edition of Venice Immersive. The event is held on Lazzaretto Vecchio, a repurposed small island off the Venice Lido. Festival co-curator Liz Rosenthal describes the medium as fast-evolving, stating we are basically witnessing new forms of art being crafted in real time.

A Personal Portrait Through Technology

Billed as an immersive spatial-sound documentary, David Bowie: Unseen Unheard is a personal portrait created by Denis O'Regan, who worked as the artist's official photographer. The installation unfolds across eight screens and 84 hidden speakers. It weaves together 12 songs with O'Regan's commentary and an archive of nearly 800 photographs. The project was developed with the full support of the star's estate.

O'Regan believes the musician would have approved. He states that David would have loved this, definitely, as he was always a bit of a groundbreaker who loved his technology. O'Regan points to the singer's history of experimentation with ideas like Bowie bonds or Bowie.net. He cites a lyric from the 1973 album Aladdin Sane as evidence of this early tech fascination: "Pour me out another phone, I'll ring and see if your friends are home." O'Regan adds that the performer was about more than the music; he was about mime, visuals, theatre, and film.

A Festival at a Turning Point

The 10th anniversary of Venice Immersive marks a milestone for the event. It aims to bridge emergent technology and traditional narrative cinema. Organizers stress it is not a retrospective. Liz Rosenthal suggests the festival is at a turning point, arguing that new platforms and technology will shape the nature of storytelling itself.

Rosenthal notes the evolution of the works presented, saying the first years of Venice Immersive were more about experimentation, but now we are seeing big works that have a proper distribution strategy.

A Global Line-up of Immersive Works

The documentary is part of a global selection of genre-defying new work. The climate crisis is a major focus for several pieces at this year's edition. These include Solwata, set in the Solomon Islands, the interactive The White Saboteur, and the Los Angeles wildfire documentary Out of the Ashes.

Other highlighted works include immersive nature documentaries. Galápagos: The Last Eden and Disneynature's Wolf offer virtual tours. Wolf explores Canada's remote Ellesmere Island. Another VR installation, Smithsonian Starstruck, invites users to step inside the cosmos to watch a star being born.

Denis O'Regan reflects on the multifaceted artistry of his subject, which makes him a natural fit for the immersive format.

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